ACCESSORIES SKU DPQUAD

pre-packaged set of four premium microphon

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Product Overview

The Audix DPQUAD is a pre-packaged four-microphone drum set for full-kit capture in live or studio settings. Its left overhead covers hi-hat, cymbals, and rack toms; the right overhead captures floor tom and ride cymbal.

$770.00

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Key Features

DPQUAD is intended for full drum-kit capture in live performances and studio sessions.
The four-microphone arrangement is especially relevant when the setup needs broad overhead coverage alongside individual attention for the two central drum voices: snare and kick.
On the left side of the arrangement, one overhead microphone is responsible for hi-hat, cymbals, and rack toms.
The right overhead is assigned to the floor tom and ride cymbal.
This makes the package suitable for drum setups that correspond to the coverage plan described by Audix.

The Audix DPQUAD is a pre-packaged set of four drum microphones arranged to capture a full drum kit. Its defined layout combines two overhead positions with individual microphones for snare and kick. The left overhead covers hi-hat, cymbals, and rack toms, while the right overhead captures the floor tom and ride cymbal. Audix identifies the set for both live and studio settings.

Ideal Use Cases

DPQUAD is intended for full drum-kit capture in live performances and studio sessions. The four-microphone arrangement is especially relevant when the setup needs broad overhead coverage alongside individual attention for the two central drum voices: snare and kick. On the left side of the arrangement, one overhead microphone is responsible for hi-hat, cymbals, and rack toms. The right overhead is assigned to the floor tom and ride cymbal. This makes the package suitable for drum setups that correspond to the coverage plan described by Audix.

Why Choose This Model

The principal advantage of DPQUAD is its clearly defined four-microphone layout. The microphones are grouped as a single drum package rather than presented without an intended role. Two microphones provide overhead coverage across specific cymbals and toms, while the remaining two are individually assigned to snare and kick. This gives performers, engineers, venues, and studios a straightforward starting arrangement for a full kit. The package is also explicitly identified for versatile use in live and studio environments. No individual microphone model names are provided in the available product data.

Installation and Integration

Install the microphones according to the stated coverage arrangement. Position the left overhead to cover the hi-hat, cymbals, and rack toms, then use the right overhead for the floor tom and ride cymbal. Assign the two individual microphones to the snare and kick. Exact placement distances, angles, mounting methods, connector types, cable requirements, and power requirements are not specified in the available data. Those details should therefore be confirmed against the Audix DPQUAD specification sheet and the requirements of the live or studio system into which the microphones will be integrated.

Performance Highlights

DPQUAD divides the drum kit into four stated microphone responsibilities. The overhead pair is not described merely as general left and right channels: each position has named coverage targets. The left overhead handles the hi-hat, cymbals, and rack toms, while the right overhead captures the floor tom and ride cymbal. Separate microphones address snare and kick. This division is the central performance characteristic documented for the package. Frequency response, polar patterns, sensitivity, maximum sound pressure level, capsule technology, and other acoustic measurements are not included in the supplied information and are not assumed here.

What Makes It Different

What distinguishes this package in the available product information is the specific full-kit arrangement built around only four microphone roles. Rather than leaving the intended deployment undefined, DPQUAD identifies how both overhead microphones divide cymbal and tom coverage and confirms separate microphones for snare and kick. The result is a packaged configuration with an immediately understandable purpose for drum recording or reinforcement. The data does not identify the constituent microphone models or included mounting accessories, so the defining difference is the documented coverage strategy and its suitability for both live and studio use.

Final Assessment

The Audix DPQUAD is a focused choice for users seeking a four-microphone package designed around a complete drum kit. Its two overhead microphones divide coverage between hi-hat, cymbals, rack toms, floor tom, and ride cymbal, while individual snare and kick microphones complete the arrangement. The product data supports use in both live and studio settings. Buyers who require exact acoustic specifications, connection details, dimensions, mounting information, or a list of accessories should consult the provided Audix specification sheet, as those particulars are not included in the available listing data.

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